Cinema and theatre sprinkler systems

A new build or refurbishment, a change of operator, an insurer question, or a fire risk assessment on a building with a stage.

  • ISO 9001 and LPCB approved, the certification insurers look for
  • BS EN 12845
  • Free survey, fixed price in writing, no travel charge

What is different about cinemas and theatres

This is the classification people get wrong most often. Annex A of BS EN 12845 lists cinemas and theatres under Ordinary Hazard Group 4, the top of the ordinary range, alongside concert halls and exhibition halls. A room full of seated people, acoustic treatment, drapes and a projection room is not the low risk it looks like, and a system designed as though it were is under-designed from the day it was commissioned.

  • OH4 sets the density and the water behind it

    The hazard group decides how much water per square metre the system must deliver and for how long, and OH4 asks for considerably more than the OH1 an office gets. That flows straight back to the pipe sizes, the pump duty and the stored volume. It is the reason a cinema cannot be priced or designed from floor area alone.

  • A stage is its own set of rules

    BS EN 12845 deals with theatres separately. Where there is a safety curtain between stage and auditorium, the curtain gets a line of drenchers on a quick opening valve, fed upstream of any control valve set. The stage itself gets a water spray installation with automatic and manual activation, or sprinklers where the stage is no more than 12 metres high. A multiplex without a stage skips this; a receiving house does not.

  • Back of house is where the fire load actually is

    The standard requires workshops, dressing rooms, scenery, storerooms and the spaces below the stage to be sprinklered. That is the scenery dock, the wardrobe and the understage, which between them hold more combustible material than the auditorium ever does. It is also the part most likely to have been reorganised since the system was designed.

  • You cannot take it down on a Friday night

    A venue with a full house has nowhere to put anybody, so isolation planning is the job rather than an afterthought. The standard is explicit: one zone at a time, down for the minimum the work needs, and the shutdown of a life safety installation avoided wherever possible. Dark days and mornings exist for this, and they get booked months ahead.

This work, on our sites

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Cinemas and theatres: questions

Is a cinema really a higher hazard than a hospital?

Under Annex A of BS EN 12845, yes. Hospitals sit at Ordinary Hazard Group 1 and cinemas and theatres at Group 4. It reads oddly until you look at what is in the room: dense seating with foam and fabric, acoustic treatment on every surface, drapes, and in a theatre a scenery dock behind it all. The classification is about how fast a fire develops and how much water it takes to hold it, not about how the room feels.

We are a multiplex with no stage. Does the theatre guidance apply?

The stage specific requirements do not, because there is no stage, no safety curtain and no understage. The Ordinary Hazard Group 4 classification still does, and so does everything that follows from it on density, water supply and pump duty. The parts of the building that most resemble a theatre, the stores and the plant, are still where the fire load concentrates.

Our scenery dock has been reorganised. Does that matter?

It can matter a great deal. The standard requires those spaces to be sprinklered, and the design assumed a certain amount of material in a certain arrangement. Racking that went up, stock that changed or a new mezzanine can all leave heads covering the wrong volume. It is a survey question rather than a paperwork one, and it is worth asking before an insurer does.

When can the work actually be done?

Around the programme, and planned well ahead. Weekly and monthly checks fit into a normal morning. The annual needs isolation, which means a dark day or a closed screen, one zone at a time. We agree the isolation window, who needs telling and what the building is operating on while it is down, before the visit rather than on the day.

The published documents behind this page

Every interval and threshold on this page comes from one of these. Links go to the publisher, not to a copy of the document.

British Standards are copyright documents and most are bought rather than read free. We hold the ones we work to. If you need to know what one of them says about your building, ask us rather than buying it.

Approved, and audited on a schedule.

Two certifications, and the first one is the reason we could apply for the second. ISO 9001 is a precondition for LPCB approval, so this is a sequence rather than a collection.

BRE Global Certification and UKAS Management Systems 0007

ISO 9001:2015

Certified by BRE Global, accredited by UKAS

An audited quality management system. It means the way a job is planned, recorded and signed off is itself inspected by somebody independent, on a schedule.

LPCB, Loss Prevention Certification Board

LPCB approved

Loss Prevention Certification Board

The approval UK insurers look for on sprinkler work. A system installed by an LPCB approved contractor counts as genuine risk mitigation on your policy; one installed by anybody else may not.

Working to BS EN 12845, BS 9251 and BS 9990. If your insurer or fire risk assessor wants the certificates themselves, ring us and we will send them over.

Tell us the building. We will tell you what it is due.

No survey fee to find out where you stand. Describe the site and we will tell you which intervals apply and what the visit involves.

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